February 2003 Archives

a 'pedant' (;-)) writes !!

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The anti-frivolous bastardisation person has just said:

Just to confirm that my original post:

'Frankly, this kind of issue is nothing compared to the endless colon, dash, end brackets that I see being used so frequently online. This, and such variants as semicolon, dash, end bracket and colon, dash, capital o are ruinous to online textual integrity.

Frivolous bastardisation of our punctuation is one of the key witnesses to the current decline of our wonderful nation.'

Was indeed a joke. :-) (did you wonder why I didn't actually write a smiley in it?)

In fact, I use far too many dashes, unnecessary inverted commas, capitalisations and exclamation marks, and unnecessary repetition in my writing to be textually 'accurate' - so there!

Also, I write the word 'website', not Web site, or web site. Double 'so there'!!

This reminds me of a recent debate caused by Dame Edna Everage saying bad things in Vanity Fair and being taken seriously. The enigmatic mermaid posted it and you can read the original post and some interesting comments about it here

B-)

being a pedant doesn't help sell stuff

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This question on a list for net marketing people:

A bit of a pedantic grammar question here. When writing sentences for web pages that contain a URL or email address at the end should the sentence finish with a full stop or not. The approach taken seems to vary on the sites I've reviewed.

stimulated a fair amount of discussion, including this comment:

Frivolous bastardisation of our punctuation is one of the key witnesses to the current decline of our wonderful nation.

(He might have been joking, of course).

The consensus, though, seemed to be more with this response to the anti-frivolous bastardisation person:

straight from the telegraph comment pages!

utter nonsense of course. what works on the page doesn't necessarily work on screen. simple as that. punctuation which doesn't follow 'the rules' but makes screen text easier to read is fine by me and would be fine by most people reading it. being a pedant doesn't help sell stuff!

I can't help noticing the violation of the 'no exclamation marks' rule though ;-) !

visual thesaurus

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I've just joined the English Language list where teachers of A level English Language discuss stuff. They pointed me to this which is good fun.

B-)

strange song

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Last night Apoa dreamed this (to the tune of 'Starman' by David Bowie):

There's a strong wind Staying overnight Eating all our tea Chasing after me

What does it mean? (She sang it in a cock-er-nee accent, btw)

B-)

another one

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Just went to Sainsbury's and picked up a copy of X-Ray magazine (seems to be an xfm production) which has a good 'free' CD and cost only 2 pounds 50

B-)

more from Jonathan

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magazine's ??? really Dr Clark!

but here's an ace link:

http://www.dagbladet.no/download/readmylips_blush.mov

(Well done, Jonathan, for being the only reader to pass my proofreading test ;-)

no bush

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you know it makes sense

Can't argue with this can you?

B-)

more free cds

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Jonathan writes:

free cd update: March issue of Mojo has a punk cd mixing then and now (Clash vs Strokes etc) - some absolute classics (ATV, 'Action Time Vision'), and some curiosities (Modhoney cover Hawkwind's 'Urban Guerilla')

Unfortunately no sign of the supreme punk track: Subway Sect's 'Nobody's Scared' though

xjonathan

I picked up the Mojo one while shopping for Muzik, and am also enjoying bits of Uncut's free Bowie tribute album.

I notice, btw, that we refer to these as 'free' CDs but the magazines they're 'free' with cost nearly four quid each...

B-)

licensed to drive too fast

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First day of half-term. I just took Apoa, Kiloh and Oisin to the 007 exhibition at the Science Museum. I was a bit disappointed as the main event was queueing up to answer questions on computer screens, something that's easier to do if you're sitting at home. What interested me most were the design drawings and storyboards, but it's hard to look at them properly when you've got three kids to look after (and to help with the quiz questions on their monitors). I was also less than impressed that the 'death-defying stunt' they promised meant holding onto a girder and looking at yourself on a screen clinging on to the Golden Gate bridge. The effect was slightly spoiled by the poor quality of the image and the fact that other folk in the room were walking around in the sky behind you. Oh well.

It was also interesting to head into town on the first day of congestion charging. The tubes didn't seem any busier than usual (although I don't use them that often) but crossing roads with kids in South Kensington made clear what I think is the main flaw with the scheme. If the scheme 'works' then traffic will be able to get around faster. The last thing we want cars to do is to speed up. Up until now, the scariest bit about cycling in London has been being passed by cars going too fast and passing too close. This is usually less of a problem in town than our here in the boondocks. Hope this scheme isn't going to change that. I've always thought that banning cars altogether is the best way to deal with traffic, but maybe this is just the first step?

B-)

a finnophile writes

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hi billy - just reading the blog listening to the free cd on this month's muzik mag - a mix by Gilles Peterson - definitely worth the 3 pounds 65, especially considering the first track's in Finnish

xjonathan

half a demo

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Well, we're home already.

The kids declared war on each other before we even left the house, which was not a good omen. Their friend Guy was bringing his catapult on the march so he could sort out any Iraqis he might meet. Not sure he's really with the programme.

We waited at Finsbury Park for half an hour then tubed to Russell Square. An hour and a half later we'd made it to Bedford Square and at that point I gave in and took the kids home.

We enjoyed the bit we joined in on though. The kids were impressed by the noise every time a wave of shouting passed through the crowd and we enjoyed various chants, banners, drummers, and stuff. I enjoyed being out in a crowd of amiable grownups. I had more conversations with strangers in two hours than I usually manage in a month, including people on the tube who weren't going to the demo.

I would have liked to see Hyde Park but at least we got a taste of it all. And I don't suppose this is the last such demo we'll ever see...

B-)

madhouse

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Ohna's at work, six kids are running riot in my house, I've just about got the lunches together. Someone's at the door. Oops, must dash. We've got a war to stop.

B-)

tooth fairy fails to show

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Well, we've taken advice from various sources now and Apoa has decided to give the fairy another chance. Unfortunately, her mum has got the tooth somewhere and she's only ever here for the odd moment every day just now. Must remember to get the tooth back and give it another go. Tomorrow Apoa (and the fairy) will have been waiting two weeks to finalise their transaction. Is this a record?

B-}

valentine

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Ohna has been too busy to do any valentine's things

B-(

Apoa and Kiloh, on the other hand, have been very busy. They've been hiding in their rooms a lot recently and they were up at 6 this morning to deliver various items including handwritten cards and handmade hanging hearts. Apoa also left a cherry drop with a heart stuck on top of it by each of our beds.

B-)

captain corelli

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Just read Captain Corelli's Mandolin, part of a process of teaching myself to read bigger books (534 pages) and take longer over them (2 months). Obviously, he's a great writer and in the end I thought it was a great book. The main effect it had on me was to make me miserable by getting across a profound sense of the horror of war. The main things that struck me about his writing were how happy he was to digress and enjoy chapters and subplots and so on, regardless of how essential they were to moving the plot along. And, obviously connected, how strong a sense you get of him enjoying his writing. I enjoyed it too, although I had to struggle with the usual impatience that I was reading this book to train myself out of.

I followed the book by watching the film on video. A lot of good things about it, despite the problems of having to reduce 534 pages and all those digressions to something more streamlined. I couldn't understand why they chose to get the actors to perform it in funny accents, though, and I giggled when they had the Italian soldiers singing while shaving rather than singing on the bog.

But I felt cheated by the much-happier-than-the-book ending. For me, this meant removing what was the most powerful thing in the book. I guess it's typical of movie adaptations, but I thought it was a real shame. Maybe they should have gone for a two-part Jean de Florette kind of approach.

And one more thing, both the book and the film fail to raise questions about guilt surrounding the main characters which I would have thought inevitable given what happens in both the book and the film (I'm being inexplicit for the sake of anyone who hasn't seen or read either).

B-)

get off the fence

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I get really fed up with the way arguments get polarised. In the Iraq thing, this means you can only be either for war (gung ho imperialistic swine) or against it (Saddam loving cheese eater).

Timothy Garton Ash wrote a good article arguing against polarisation and explaining why he's on the fence about Iraq.

It's worth pointing out, though, that the people on one side of this argument are a lot more keen to polarise than the other. According to the US government, and a lot of other pro-war folk, you're either desperate to pull the trigger now and who cares what anyone else thinks or you're 'irrelevant', 'insignificant', 'pathetic' etc. etc. etc. Bush 2 began all this with his 'if you're not with us you're against us' speech - what Chomsky described as the USA declaring war on the world.

The other thing that strikes me is that the reasons Garton Ash gives against the war are much stronger than the ones he gives for it.

B

Bush interrupts Oprah

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This came from Academics for Justice. It's good to hear that on US TV 'the British correspondent said at one point that it was hard to find anyone in Britain EXCEPT TONY BLAIR that supported the war' (even though I can think of one or two others)

Understanding What Just Happened on The Oprah Winfrey Show

Today, Oprah Winfrey started a two-part series focusing on the impending U.S. war on Iraq. About halfway through the show the broadcast was pre-empted by coverage of Pres. George Bush, with Colin Powell at his side, reading a prepared statement on Iraq. The coincidental timing of this pre-emptive press statement raised immediate questions about the motives of the White House war strategists. Students of the Civil Rights Movement will recall an incident in 1964 when activist Fannie Lou Hamer sat before a live television audience and gave a riveting account of the oppression she and other Blacks faced in the South. President Lyndon Johnson was so convinced of the power of her appeal to undermine his own political/racial agenda, that he hastily called a press conference to pull cameras away from Hamer's impassioned revelations. Though the networks pre- empted Hamer's testimony to cover the president, the newscasts later showed her entire presentation.

The pre-emption of Winfrey's show today should be seen in the same light. Oprah's audience is a vast and powerful--but largely apolitical--force of middle-class white women. It is likely that most did not watch Colin Powell's live testimony at the U.N. yesterday. In fact, it is likely that this huge audience was being oriented to the issues of the Iraq war for the first time. Bush and his handlers are also aware that powerful Republican voices, including Rush Limbaugh's, credit Bush's pre-election appearance on the Oprah Show with "turning the tide" in his favor. It is unlikely that they treated this show with anything but intense propaganda interest.

The first 30 minutes of the show was decidedly anti-war and highlighted not only worldwide unanimity in opposition to the war but presented many of the heretofore unheard voices of ordinary people speaking forcefully against Bush's motives. CNN assisted the Oprah Show by presenting overseas confirmation of this from Great Britain and Iraq. For instance, the British correspondent said at one point that it was hard to find anyone in Britain EXCEPT TONY BLAIR that supported the war. Other voices repeated their conclusion that the war is "for oil," not "against terrorism." Those familiar with the Bush administration's network cheerleaders at ABC, NBC, and CBS would, no doubt, view this expose' with raised eyebrows. Then, without warning or introduction, Bush is seen at the podium reiterating Powell's statement at the U.N. yesterday! One immediately had to assume that Bush was actually declaring war on Iraq, given the urgency of this interruption. Soon, however, it became clear that OPRAH herself was the target of this sabre-rattling and not Saddam Hussein. Bush simply summarized Powell's presentation for Oprah's audience, hitting key emotional points for this afternoon women's gathering. He said nothing more of any import at all. Returning to the show, 15 or so minutes later, found still more impassioned, but reasoned, anti-war input from members of Oprah's audience. There was indeed a balance of pro-war input but the net effect of the show--in spite of Bush's strategic Johnsonian interruption--was to embolden the anti-war voices and to make opposition to the war as "patriotic" a position as that of the warmongers. What we just saw was a replay of an old propaganda ploy of an ol' Texas politician, Lyndon Baines Johnson, against the scarecropper's daughter from Mississippi, Fannie Lou Hamer. In 1964, enough of Hamer's message was heard to force Johnson into acting against his own political desires. Bush's ploy in 2003 may have backfired as well.

B-)

another memo to me

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'Cleared my desk' on Friday. The quotes are because it's not a permanent departure. Most of my stuff is still in the room, but I cleared enough space to allow someone else to work there.

I've just spent a weekend that didn't have an urgent Monday deadline ruining it and followed it with a fairly pleasant and productive Monday.

I could get used to this ...

(Must remember to make sure Apoa doesn't get tempted by academia)

B-)

homework pressure

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Memo to me: must remember to make sure Apoa does her homework early in the week. She doesn't cope well when she's up against a tight deadline.

B-{

they're not really lesbians, you know

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Mark predicted tATu's success back in September, the old svengali by proxy that he is. He also points out that ' the (Romanian) Cheeky Girls are unheard of (musically) in Romania, although of course became newsworthy when they topped the UK charts.

B-)

notebooks out, plagiarists

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Academics have been worried about plagiarism for a long time. This is going to make it a bit harder to persuade the students that it's not a good idea. Still, I suppose it's justified if you're trying to deal with the 'master of deception'...

B-}

co inky dinky

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Hanna was just talking about my tooth fairy story and then last night Apoa announced that she too had been experimenting with the tooth fairy.

Both our kids have now tried the experiment of removing a tooth, putting it under the pillow and not telling anyone.

Strangely, the fairy doesn't seem to come under such circumstances.

The latest incident involves Apoa removing a tooth on Saturday and secretly stashing it. After four nights, there's still no sign of the fairy, which Apoa thinks is pretty strong evidence. Being a good scientist, of course, she realises that this is not totally conclusive. But we're not sure what should happen next, especially since the playground is now buzzing with discussion of this latest piece of research....

B-}

shazam fails me

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Well, I've just been listening to something really groovy on radiomagnetic so I tried shazam and they couldn't tag it.

B-(

pre-madge

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Some poor sod on a discussion list just objected to the 'laughably simplistic notion that all designers are pre-madonnas'

As you can imagine, other members of the list have failed to resist the open goal.

B-)

this is ... uncool (not)

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Went to see the Rezillos on Saturday night.

I felt like I was in an adaptation of 'The Picture of Dorian Gray'. They hadn't changed at all, but you should have seen the state of us lot in the audience.

It was great to see men in their forties tumbling upside down onto the stage and into the loving arms of the bouncers.

The gig was over by 10pm so that the venue could be used for a club. So an added irony was for us wrinklies to be heading out of the West End as the youngsters headed in to begin their evening.

The final highlight on the way home was to find the Jeremy Bentham was selling banana bread beer on draft. Yes, it does taste of bananas. Andrew impressed me, as he managed a second pint.

Anyway, the Rezillos are still great and they've even got some new songs. They began the evening with the instruction to 'make noise, not war' and ended it with 'Somebody's Going To Get Their Head Kicked In Tonight'. Keep your violence local, that's what I say.

B-)

UK traffic rules

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Just heard this via the London Cycling Campaign. It seems it's now illegal for cars to stop within those green bits with bikes on them at traffic lights (what these 'ASLs' are for is to make sure cyclists are at the front of the queue when waiting at a red light). Also, cyclists now officially have right of way over cars on cycle paths.

It's going to make such a difference, isn't it? (No, me neither)

The Traffic Signs Regulations and General Directions 2002 come into force on 31 January 2003 replacing the 1994 version. Highlights include making ASLs fully enforceable - a motor vehicle crossing the first line when the signal is not showing green (unless it's gone to amber and stopping would cause a collision) will be seen as jumping the lights and could be fined or have penalty points imposed. Also s25 gives those on cycle tracks priority expressly for the first time:

(6) Where the transverse lines [give way markings] are placed in advance of a length of the carriageway of the road where a cycle track crosses the road along a route parallel to the transverse lines, then the requirement shall be that no vehicle shall proceed past such one of those lines as is nearer the cycle track, in a manner or at a time likely to endanger any cyclist proceeding along the cycle track or to cause such a cyclist to change speed or course in order to avoid an accident.

Full text and illustrations here

Billy on the beach